
Rip Current
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Xinyu Lu
Photographer:

Reviewer
Echo UK
25/08/2025
A Deep, Poetic Encounter with the Inner Currents of Neurodiversity
Rip Current reveals its emotional force through quiet accumulation rather than overt dramatic gesture. The production draws the audience into the psychological landscape of a neurodivergent protagonist using a finely tuned combination of puppetry, physical performance, sound, and rhythm. The internal world of the character unfolds gradually, as if the stage itself is breathing in and out, carrying the viewer toward deeper waters without any abrupt transitions.
The presence of animals onstage—the ant, the rabbit, and the badger—forms the core of this world. Each animal embodies a distinct emotional pattern often experienced by neurodivergent individuals. The ant reflects orderliness, repetition, and a focus that locks firmly onto a single task. The rabbit captures quick shifts of attention and heightened sensitivity to external stimuli. The badger shows the slow, heavy movement of internal resistance, a kind of emotional inertia that builds and releases over time. These beings feel alive, responding through small gestures, shifts in weight, and moments of hesitation. Their movements allow the audience to sense internal emotional processes without any verbal explanation, making the inner life of neurodiversity visible and tangible.
This expressive vocabulary is supported by the exceptional work of puppet artist Kej Kim. The puppets possess precise articulation and a rich physical presence, and even minimal gestures carry weight. Kej Kim’s sensitivity in design and construction enables the animals to exist as full dramatic partners, not decorative elements. They participate in the rhythm of the performance with remarkable clarity, echoing the protagonist’s emotional currents with an intimate subtlety.
Performers Daniel Mulki and Hui Chen bring a steady maturity to the stage. Their movement work is grounded, attentive, and consistently responsive to the puppets. The emotional arc of the piece is expressed through breath, direction of focus, and the handling of silence, allowing the audience to follow the protagonist’s shifting inner terrain. Daniel and Hui sustain a delicate balance: they shape the scene while leaving space for the puppets’ presence, and the result feels cohesive and deeply attuned.
Music and sound design strengthen the internal coherence of the production. The sonic world is textured and carefully layered, offering gentle cues that signal changes in atmosphere, emotional temperature, and psychological momentum. Sound subtly expands the presence of the animals and creates a sense of continuity in the narrative flow. The final musical sequence is especially moving; its calm gravity draws the audience inward, guiding them into a quiet moment of recognition and resonance. The combination of sound, movement, and puppetry at the end allows the emotional core of the piece to surface with clarity.
The venue itself plays an essential role in the success of Rip Current. Little Angel Theatre, long regarded as one of London’s most significant homes for puppetry, provides an environment that heightens the intimacy and delicacy of the performance. The space carries a distinctive atmosphere—slightly shadowed, warm, and reminiscent of an old chapel—creating a sense of shelter around the stage. Its scale allows even the smallest puppet gesture to be seen, and its acoustics make subtle sound design effective without strain. The closeness between performer and audience creates an unusual immediacy; viewers feel as though they are seated inside the protagonist’s internal space rather than watching from a distance. Occasional moments of soft interaction become natural extensions of this proximity, drawing the audience gently but unmistakably into the emotional contours of the story.
Throughout the performance, every element moves in the same direction. Puppetry, physical expression, sound, and spatial composition share a unified artistic language, forming a coherent atmosphere that holds the audience from beginning to end. The piece approaches neurodiversity with care and nuance, transforming internal emotional structures into a theatrical experience that feels both grounded and poetic. The flow of Rip Current gathers strength through subtle detail, creating a final impression that lingers long after the last sound fades.
Scriptwriter&Director: Yike Yao
Scriptwriter: Xinyu Lu
Puppet Artist: Kej Kim
Producer: Ti Ti
Associate Producer&Lighting designer: Miranda Yang
Performers: Hui Chen&Daniel Munkli
Sound and Video Operator & Marketing: Katherine Guo
Graphic Designer: Rui Zheng